Folklore and Traditional Culture
Only very rarely is folklore an heirloom passed along unchanged from parents to children over many
generations. Folklore presents itself in a myriad of forms, all equally "original" and "correct." Each
generation picks what it likes from its heritage, amplifying and modifying it to suit present needs.
Individuals, too, have different tastes and thus folklore grows and changes over the years. The
folklore and traditional culture of Newfoundland and Labrador is historically based in the traditional
cultures of the peoples who settled the Province, but it also reflects the evolution of life here in all
its complexities over the centuries of human occupation.
Our folklore is similar in many details to folklore found in the parts of Ireland and England from
where settlers emigrated over the past two or three centuries. For example, folktales and fairy beliefs
were among the traditions brought over from England and Ireland. Dialect words sometimes derive
from the dialects and languages of those areas. "Nuddick," a local word for a knobby hill, comes
from a West Country English word. "Buckaloon" (meaning a self-important man) comes from an
Irish word. But much local tradition is entirely of local origin -- Tipp's Eve (December 23rd) and
the dance "Running The Goat" are examples.
Much also derives from the cultures of aboriginal peoples: the craft of skinboot-making and the word
"pipsy" (sun-dried fish without salt, from Inuktitut), for example. The folklore of French
Newfoundland overlaps with that of the rest of the province but has remained distinct through the
20th century, not least because of its linguistic independence.
The division of folklore and traditional culture into "genres" (like custom, belief and song) is an
arbitrary one, reflecting not so much the traditions themselves as the need for scholars to divide them
into manageable bits. It is useful to make these distinctions, but careful users will find many
overlaps. For convenience of presentation, the folklore and traditional culture of Newfoundland and
Labrador may be divided into eight genres:
Custom includes people's activities related either to the calendar (like Orangemen's
Day parades, garden parties, and mummering), or to non-calendric
events sometimes known as rites of passage (like weddings, first communions, and
Material Culture includes the tangible products of labour for necessity, pleasure or
profit. This category includes buildings (like fish stores and root cellars), the landscape (like gardens or the arrangement of houses in a
community) and objects (like fences or boats).
Belief includes folk medicine (cures for the "old hag", hangovers and warts, for
example), supernatural beings (like fairies, the devil, and ghosts), and divination and
causes (like forecasting the weather and breaking witches' spells).
Narrative includes all traditional story-telling like legends about local characters,
treasure stories, and tales about "Jack" on his wondrous voyages. Explanations of
placenames are included here, as are mythical stories like how the halibut got its
Song includes the rich body of folksongs known in this province, both the traditional
ballads, some of which are centuries old, and the lively tradition of local songs (like
"Lukey's Boat" and "I's the B'y").
Music includes the history of tunes, the musicians who played music and the
instruments used (like accordions, violins and ugly sticks).
Dance includes both the steps used in Newfoundland and Labrador communities and
the events at which people dance.
Small Genres include proverbs and proverbial phrases (for example, "he smokes like a tilt"), riddles (like "The wind was west and west sailed we..."), and blasons
populaires (nicknames for groups of people (like Cape Broyle "wobbles" and Calvert
Many scholarly works have been written about Newfoundland and Labrador folklore. An early,
ground-breaking work was Christmas Mumming in Newfoundland (edited by George Story and
Herbert Halpert and published by the University of Toronto Press for Memorial University of
Newfoundland in 1968). Its essays looked at the history and distribution of Christmas customs in
Newfoundland and set the stage for other important work.
|Mummering in François, south coast of Newfoundland.
Mummering is a traditional custom which is still practised in many
regions of Newfoundland today.
Courtesy of Yva Momatuik and John Eastcott,
This Marvellous Terrible Place: Images of Newfoundland and
Labrador (Camden East, Ontario: Camden House Publishing, ©1988) 137.
(29 kb) with more information
In the early 1980s the Dictionary of Newfoundland English was published (Breakwater Press and
University of Toronto Press, 1982; second edition 1990). The editors, William Kirwin, George
Story, and John Widdowson, brought together thousands of words and phrases used in the province.
It was a monumental scholarly work that broke new lexicographical ground by using oral sources
as well as published ones in gathering words. It is also a starting point for much research in the
culture of Newfoundland and Labrador.
In 1996 Herbert Halpert and John Widdowson's Folktales of Newfoundland was published, capping
a research project that spread over a half-century of narrative collection in the Province. An
international standard in folklore scholarship, it brings together dozens of internationally known and
local folktales, some of which are hundreds of years old, and all of which were recorded in
Newfoundland, with contextual information about the storytelling situations in which they were
A current bibliography of articles and books on Newfoundland and Labrador traditional culture
would amount to over a thousand entries (one published in 1989 listed 950 entries dealing with
folklore and language). An active department of folklore and a large Folklore and Language Archive
are established at Memorial University of Newfoundland in St John's (email:
and current research continues on many fronts.
© 1998, Philip Hiscock
Sidebar links updated February, 2008