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A high school graduate was deemed qualified to teach others.
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Russell could only endure so much of what he considered a
tragic waste of government revenues.
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He used outport settings and characters as personifications of universal themes.
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Archival Collection Captures the Essence of the Creator of Uncle Mose
From the files of The Gazette October 20, 1994.
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Ted Russell on the campaign trail in 1949.
Courtesy of the Centre for Newfoundland Studies Archives
(Coll - 089, 7.05), Memorial University of Newfoundland, St. John's, Newfoundland.
(29 KB)
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Ted Russell was born in Coley's Point on June 27, 1904, and
received his early education there and at Bishop Feild
College in St. John's. In a time when any formal education
in smaller Newfoundland communities was often a luxury, a
person who had finished high school was deemed qualified to
teach others. As a result, shortly after his graduation, at
the age of 16, Ted Russell began a teaching career, which
over the next 12 years took him to Pass Island, Harbour
Breton, Millertown, Channel and Fogo. During part of that
time (1928-29 and 1932-33) he attended Memorial University
College (MUC). In 1933 he joined the staff of Bishop Feild
College where he spent two years teaching. In 1935 he was
appointed to the Newfoundland magistracy, and in the same
year, he married Dora Oake and they had four
daughters and one son. He served as magistrate at
Springdale, Harbour Breton and Bonne Bay before becoming
director of co-operatives with the Commission of Government
in 1943.
With the advent of Confederation in 1949, Russell
resigned from the civil service, was elected to the new
House of Assembly as Liberal member for Bonavista South and
appointed to cabinet as minister of natural resources in the
first administration of Premier J. R. Smallwood. It was a
time of great change in Newfoundland. One of these changes
was an attempt by the government to create a non-traditional
industrial base with the establishment of such eclectic
enterprises as a cement factory, a shoe factory, a glove
factory, a chocolate factory, a battery plant and a host of
others, some of which succeeded but most of which failed
within a few years. Russell could only endure so much of
what he considered to be a foolhardy and tragic waste of
government revenues. On March 24, 1951, after finding he was
unable to effect changes in the economic development
policies from the inside, he resigned from cabinet. He sat
as an independent member until a new election was held in
November, one which he did not contest.
After his escape from politics, Russell worked as an
insurance agent until 1957 when he returned to teaching with
a position at Prince of Wales College, St. John's. He left
there in 1963 and at the age of 59 entered Memorial
University where he finished the degree he had begun in
1928. Upon graduation he joined the faculty of Memorial's
Department of English Language and Literature as a lecturer,
retiring in 1973 with the rank of associate professor. He
died at his home on Oct. 16, 1977.
That Ted Russell found time in the midst of his other
pursuits to write is surprising; that he found time to
produce so much demonstrates his love of and commitment to
writing. He had published a few short articles before 1953,
but it was not until that year that he began to produce the
extensive body of work known as "The Chronicles of Uncle
Mose," which became a much anticipated and extremely popular
feature on the Friday instalment of The Fishermen's
Broadcast on CBC Radio. The six-minute serial, which
Russell also read on air in the character of Uncle
Mose, ran until 1962 during which time he wrote over
600 scripts. Between 1954 and 1957 he also wrote eight
plays, all but one of which had the same setting as the
"Chronicles" (Pigeon Inlet) and many of the familiar
characters. The best known is probably The Holdin'
Ground (1955); others include The Hangashore
(1954), The Algebra Slippers (1955), and
Groundswell (1956).
Ted Russell wrote about the Newfoundland experience
as he saw it. He is recognized as one of the first and
foremost writers to use Newfoundland outport settings and
characters as personifications of themes which, while
appearing to be local, are actually universal in their
scope and appeal.
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The first page of
The Holdin' Ground.
Courtesy of the Centre for Newfoundland
Studies (Coll - 089, 2.04),
Memorial University of Newfoundland, St. John's, Newfoundland.
(41 KB).
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In 1986 Elizabeth Miller, Russell's daughter, on
behalf of the Russell family, contacted the Centre for
Newfoundland Studies with a view to depositing her father's
papers in the archives. Arrangements were made to have the
material formally transferred before the end of the year. It
included the original scripts for approximately 350 of The
Chronicles of Uncle Mose, mostly typewritten but some in
Russell's handwriting. There were typed scripts for all
eight of his radio plays, with handwritten copies of four:
The Holdin' Ground, Spindrift, To God Who Gave It and The
King of the Cove. There were four scrapbooks documenting
Russell's life from 1945 to 1960, another documenting the
production of The Holdin' Ground at the 1956 Newfoundland
Drama Festival, and a sixth containing reviews of his work.
There was also assorted correspondence, student records from
high school, MUC and MUN, some photographs and miscellaneous
other items. This body of material is representative of
Russell's writing in its original form. Together with four
anthologies of the Pigeon Inlet stories and two plays which
Dr. Miller has edited for publication, and her biography of
him, they stand as a constant reminder of the literary
legacy Ted Russell has left to us all.
November, 2000.
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